The Phenomenology of Audial Experience

«The Phenomenology of Audial Experience» connects science (especially acoustics), music and musical composition, and philosophy of science in an aesthetic learning process.

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About/Aims

Background

The interdisciplinary aspect of the project is grounded in the research group at RealTek, Art and Science in Education. Based on a phenomenological inquiry, the project aims at providing knowledge about sound as experience and attentive listening and their relevance for teaching and learning. The project has two main research questions:

With reference to sound as science topic and listening as basic skill: which insights are promoted through an interdiscpiplinary cooperation between the fields of physics, music, science education, and philosophy of science?
With reference to learning and teaching: which practical-pedagogical consequences might come out of aesthetic project work between art, science and, philosophy?

The project consists of a reserach component, an artistic part (musical composition), and an educational component. (...)

News/Findings

Results/findings

"Ørenslyd" - concert and seminar in Berlin, 24.-26. October 2019

Composition and Moderation: Edvin Østergaard

First performance: Thursday, 24.10.2019, 21.00 o’clock
Further concerts: Friday 25.10.2019 and Saturday 26.10.2019, both days 19.00 o’clock
Place: Tieranatomisches Theater. Adresse: Philippstraße 13 / Campus Nord, Haus 3 / 10115 Berlin
Programme “Ørenslyd”:

Aus der ersten Duineser Elegie (for three voices)
Into A. Overtone music for double bass
A Steffens Fragment (for soprano and double bass)
Ørenslyd. Ritus V (for soprano, mezzo-soprano, tenor, and double bass)

Performers: Tone E. Braaten (Soprano), Ebba Rydh (Mezzo-Soprano), Per Kristian Amundrød (Tenor) and Håkon Thelin (Double bass).
Tickets: 10 €/8 €.
Reservations of tickets: please contact:

Felix Sattler, Curator at Tieranatomisches Theater: felix.sattler@culture.hu-berlin.de
Edvin Østergaard, Composer/Professor Norwegian University of Life Sciences: edvin.ostergaard@nmbu.no

Workshop:
The Phenomenology of Audial Experience – Conversations on phenomenology, audibility, sound, Helmholtz, vocal articulation and musical composition.
Time: Friday, 25.10.2019, 16.15-17.45
Participants: Tone E. Braaten, Ebba Rydh, Per Kristian Amundrød, Håkon Thelin, Olaf L. Müller and others. Moderator: Edvin Østergaard.
Place: Tieranatomisches Theater. Adresse: Philippstraße 13 / Campus Nord, Haus 3 / 10115 Berlin.

Reviews

Publications

Østergaard, E. (2019a). Echoes and Shadows. A phenomenological reconsideration of Plato’s cave allegory. Phenomenology & Practice, 13(1), 20-33. file:///C:/Users/edvios/Downloads/29372-Article%20Text-77761-1-10-20190531.pdf

Østergaard, E. (2019b). Music and Sustainability Education – a contradiction? Acta Didactica. https://journals.uio.no/index.php/adno/article/view/6452

Østergaard, E. (2019c). The Attentive Ear. Forthcoming in Journal of Aesthetic Education.

Østergaard, E. (2017). Earth at rest. Aesthetic experience and students’ grounding in science education. Science & Education, 557-581. https://link.springer.com/content/pdf/10.1007%2Fs11191-017-9906-2.pdf

Østergaard, E. (2010). Moon Music. A Composition of Art and Science in Dialogue. Leonardo, 43(3), 223–228.

The Phenomenology of Audial Experience

The Phenomenology of Audial Experience

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Norwegian University of Life Sciences (NMBU)